All Good Things…

“Mother Earth”, The CORE ESSENCE, Amanda Downs.Our Final Art Crawl in Houston Station is THIS Saturday! Help us say “goodbye” to our home for the last 6 years, have drink with us, celebrate the closing show of  the stellar CORE ESSENCE by Amanda Downs, & contribute vision for our future as we continue to serve Nashville’s artists!2/26/2019 To our community: …

Painting of a black woman in a yellow halter dress, presented as a goddess, seated on the Earth which is pictured in space.

Amanda Downs – The Core Essence

Audra

  About the Show The CORE ESSENCE is what is revealed after a woman transcends the dark night of the soul. Her core essence is revealed and she becomes more aware of who she is. Astrology and mythology was part of the inspiration for this series. Each planet represents a specific energy or aspect of personality that may be discovered. …

Title, How Much A Dollar Cost; Oil on Canvas painting of an older white working class man with a dollar in his pocket

Art Crawl Featuring Omari Booker

Audra

Image: How Much A Dollar Cost, Omari Booker, 36×48”, Oil and dollar bill on Canvas, 2017 abrasiveMedia presents a new collection of work from Omari Booker, “I Live Here Too” opening April 7th from 6-9 pm during the Arts & Music at Wedgewood/Houston crawl.   “”I Live Here Too”, is a declaration of belonging. I am visually expressing my desire to …

The Deacon's Masterpiece, Oil on Canvas, Harry Whitver

Art Crawl Featuring Harry Whitver

Audra

Allusion and Analogue: Painting as Exploration
February Art Crawl featuring Harry Whitver at abrasiveMedia during the Arts and Music at Wedgewood/Houston on February 4th from 6-9 pm.

Lorne Quarles gallery artist for Nov-Dec

Art Crawl featuring Lorne Quarles with The Mixer & The Grey Area

Justin Harvey

REPEATING PATTERN Join us for the closing reception of “Repeating Pattern” by Lorne Quarles with new paintings, and featuring a live recording of The Mixer: Legal To Brew Since 1967 and “The Grey Area” choreographed by Windship Boyd. Lorne has always found comfort in repeating pattern, be it the rhythmic cadence of cicadas in summer, the duplicated vignettes in toile, …